News Foo 2012 curated highlights: popular tweets, photo summaries and post-Foo reflections
Last week I had the very unexpected opportunity to attend the invitation-only annual journalism gathering called News Foo, which was hosted by O’Reilly Media at ASU’s Cronkite School. The three-day event included loosely structured “un-conference” sessions and two evenings of Ignite Talks (which hopefully will be posted online as they were last year.) Tim O’Reilly and his team brought together 150 brilliant, fearless innovators in technology and journalism (Friends Of O’Reilly, or FOO) who wouldn’t necessarily cross paths but nonetheless share the same goal of improving the way we create, distribute and consume news. He encouraged the attendees to put down their devices and actively participate, to reach out to folks they didn’t know and to attend sessions unrelated to their work. It truly was about getting out of one’s comfort zone and embracing intellectual stretch.
I can’t express how intimidating, inspiring and, frankly, inconceivable it was for me to be with this accomplished group of people. These creative, driven men and women are empowering journalists in conflict areas, crafting visual representations of data that elegantly express the outcomes of government policy and creating digital tools that change the way we tell stories. I left the event determined to figure out how I can rise to their level of knowledge and make a meaningful contribution to providing high quality, relevant information to society.
Although I wasn’t able to stay for the entire event, I did follow #NewsFoo tweets closely and read blog posts that followed. Here’s my curation of news, tweets, photos and posts about News Foo 2012.
News Foo 2012
NewsFoo brings together media professionals to discuss innovation
December 3, 2012 · Downtown Devil · By Alexis Macklin
NewsFoo caps its number of invited attendees at 150 in order to bring the freshest ideas for the news industry back each year. (Alexis Macklin/DD) Heavy hitters in the news and technological industry conversed at the fourth annual NewsFoo Camp at the Walter Cronkite School this weekend. NewsFoo is an exclusive conference with a focus on innovation in news creation. The discussions are not planned until the participants arrive to provoke new …
@TimOReilly kicking off #newsfoo by explaining the history of unconferences at O’Reilly Media. As usual, proud to work with and for him.
November 30, 2012 · Instagram ·
The most retweeted #NewsFoo tweets: comments on Ignite Talks and un-conference sessions
When writing news for social media “your primary audience isn’t your reader, it’s your reader’s contacts” @SaraCritchfield #newsfoo
— Tim O’Reilly (@timoreilly) December 1, 2012
Love that @waldojaquith uses github.com/unitedstates to share public data sets and code related to US laws #newsfoo #opengov
— Tim O’Reilly (@timoreilly) December 1, 2012
Today’s questions at #newsfoo – how do you call for a revolutionary action on the internet without being immediately arrested? Anyone?
— Laurie Penny (@PennyRed) December 1, 2012
“I wish the women would talk more and the men would interrupt less.” – someone to me just now at #NewsFoo
— rachelsklar (@rachelsklar) December 1, 2012
Overheard at #newsfoo about the Filter Bubble: “Do people want to be informed or do they want to be reassured?”
— Jim Frederick (@Jim_Frederick) December 1, 2012
Listening to @lara talking about trust and serendipity. The more you trust a curator, the more likely you’ll go along for the ride. #newsfoo
— Andy Carvin (@acarvin) December 1, 2012
@acarvin serendipity is unexpected relevance. #newsfoo
— Jeff Jarvis (@jeffjarvis) December 1, 2012
How to build a more diverse speaker roster for your conference, for @tasneemraja’s great #newsfoo panel http://www.racialicious.com/2012/11/30/solving-the-pipeline-problem/
— Joe Germuska (@JoeGermuska) December 1, 2012
Neat #search tip from @mattcutts: drag an image onto the logo on google.com to @google it. #newsfoo
— Alex Howard (@digiphile) December 1, 2012
“Hackers” has become an overdetermined term – includes activists, artists and criminals all in the same term. @oddletters at #newsfoo
— Ethan Zuckerman (@EthanZ) December 1, 2012
Journalists need to plan for and report on what *doesn’t* happen as much as what does, says @derekwillis in great #newsfoo ignite talk.
— Christopher Sopher (@cksopher) December 1, 2012
Post-Foo blog posts: reflections, resources and a photo collection
#newsfoo 2012 highlights captured from afar
December 2, 2012 · The Linchpen
NewsFoo just wrapped up its third event. I haven’t been since 2010, but I followed along on Twitter again this year. Below are some good bits from the unconference (in chronological order). [View the story "#newsfoo 2012 highlights" on Storify] #newsfoo 2012 highlights I wasn’t there, but I followed along on Twitter. Here were some awesome bits from the event (in chronological order). Storified by Greg Linch · Sun, Dec 02 2012 19:56:35 How do revolutions report on themselves? @BaghdadBrian …
Thoughts (and some suggestions) on #NewsFoo: http://t.co/nqYKYLch
December 3, 2012 · Derek Willis
@A_L: I’ve never been to #newsfoo, but @derekwillis’ account is the most honest I’ve seen of the event yet. http://t.co/WQUOz4PO
Fine #newsfoo talk Sunday on keeping source identities safe, by Danny O’Brien of CPJ. Get the guide at http://t.co/AXDokH05
December 3, 2012 · Steve Doig
Fine #newsfoo talk Sunday on keeping source identities safe, by Danny O’Brien of CPJ. Get the guide at http://t.co/AXDokH05
Some Notes and Photos from NewsFoo
December 3, 2012 · Hey Elise · by Elise Hu
The spawn, the spouse and I just got back from NewsFoo, an unconference put on by O’Reilly Media and the Knight Foundation. The 150-ish attendees are all involved in technology and/or journalism in an interesting way and I’m certain I was the dumbest person there. If you’ve never unconferenced, the main idea is that at more traditional and scheduled conferences, all the best connections and interesting conversations end up happening at lunch or during coffee breaks. So unconferences …
OMFG NewsFoo!
December 4, 2012 · oddletters.com · by molly
Sometime between the power outage Thursday night that left most of Cambridge in the dark and severely messed with my ability to construct my Ignite slide deck, and getting up at 5AM to catch a taxi to the airport, I started to have serious doubts about whether I should go to NewsFoo at all. Reading over the guest list (NewsFoo is a by-invitation conference) was an exercise in “Oh God, everyone …
From #newsfoo: five opportunities for the news industry
December 5, 2012 · Knight Foundation
It was a real pleasure to attend my first NewsFoo conference this past weekend. Sponsored by O’Reilly Media, Knight Foundation and Google, NewsFoo gathered a cross section of folks (read: rock stars) in the digital news space to talk about an agenda created on the spot. One of the most interesting …
News Foo: What we learned, where we’re going
December 6, 2012 · knightlab.northwestern.edu
We wanted to take advantage of the great brains assembled at last week’s News Foo event, so we proposed a panel to suss out “big questions in journalism” that the lab should tackle. As might be expected from an unconference, the conversation ranged a lot more widely than our official topic. For starters, a number of folks had general questions about how the Lab works: Who are your stakeholders? Will your tools …
“We need to put more digital designers into our news operations. I am talking about those visual…”
December 6, 2012 · Saila’s Miscellany
“We need to put more digital designers into our news operations. I am talking about those visual designers who can realize ideas and experiences into code because knowing how to write code helps produce better prototypes, and the best way to communicate an idea is through an interactive prototype. Producing quick prototypes brings ideas to life sooner, quickening the pace of decision making and software development … Ultimately helping Journalism respond faster to how quickly technology changes on the internet.” …
Some sites/tools at @Newsfoo: http://t.co/IDwgtIfI #newsfoo
December 2, 2012 · Ryan Osborn
Some sites/tools at @Newsfoo: http://t.co/IDwgtIfI #newsfoo
#ONA12 personal-branding takeaway: First, claim your name
During the three years I’ve been talking with journalists about branding, I’ve frequently been asked how I decide which social media platforms to be on. Every new social platform offers potential for generating stories, enhancing content or engaging the community, so how do I determine which ones will indeed be useful to me?
Of course, no one knows which tools will become staples and which will be forgotten, but that doesn’t mean you should wait before signing up when you hear about a new one. At this year’s Online News Organization conference in San Francisco, I heard what now will be one of my personal branding mantras for trying new tools:
First, claim your name.
I’ve always told journalists to purchase custom domain names for personal branding purposes after Dan Gillmor urged each of us grad students to buy our vanity URLs. But the “claim your name” approach also applies to experimenting with any online tool that might become part of your reporting arsenal.
In the session “Pinterest, Instagram, Google+: Keep Up, Keep Sane,” panelists NYU journalism professor Farai Chideya and Breaking News/NBC News Digital’s senior editor Stephanie Clary offered strategies for managing the many emerging digital resources for journalists. Both encouraged reporters to sign up when they hear about a new tool, dabble to gain a general understanding of its use and monitor how “superusers” take advantage of its unique reporting value.
Good advice for approaching new platforms: Claim your name, watch, test, learn, so when the big story comes you’re ready #keepsane #ona12
— Janine Bennetts (@J9Bennetts) September 21, 2012
Not only does checking out new platforms keep you familiar with emerging digital tools others are using, getting in early allows you to secure your username before someone else gets it. Usernames should signal identity, and for journalists, credibility and value. If you miss out on claiming your byline or something recognizably close to it, you miss opportunities to connect with your community.
In the session “#NOFILTER: How Social Photography Is Changing News and Journalism,” UC-Berkeley assistant professor Richard Koci Hernandez offered this classic example of the Los Angeles Times’ failure to secure its name on Instagram:
So grab your phone and claim your Instagram name before someone else does. Then make sure you’re at least signed up and ready to use these established digital platforms, creating custom URLs where available:
If you’ve tried out other platforms that you’ve found helpful, add them in the comments.
Twitter boot camp: #TheRules (or #TheTips) for journalists
I recently got a Twitter notification announcing my third anniversary as @jghellum. I joined Twitter in the summer of 2009 as the first assignment of my journalism grad school “boot camp.” Our cohort hashtag was #bc9, and it’s been fun watching the subsequent classes’ hashtags emerge each fall – the latest being #bcxii – as Cronkite school associate professor Leslie-Jean Thornton (@ljthornton) guides the aspiring journalists through the art of the well-crafted tweet.
When I saw a recent tweet from Fast Company soliciting Twitter best practices under the hashtag #TheRules, I thought of those aspiring journalists navigating a medium that doesn’t actually have written rules and trying to figure out how to use it professionally.
Share *your” social media mantras with #TheRules: bit.ly/Mxy9DS
— Fast Company (@FastCompany) September 10, 2012
Many Twitter users offered helpful advice. However, some took exception to the use of #TheRules, defending the organic nature of how Twitter etiquette has emerged. I contributed several strategies of my own, and in a nod to the objections, adopted a less rigid (and perhaps less intimidating for newbies) hashtag, #TheTips:
@brucefraser Twitter users organically, collectively determine which behaviors lend to effective comm.”#TheRules” are really #TheTips.
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— Jennifer Gaie Hellum (@jghellum) September 10, 2012
Because Fast Company’s crowdsourced rules weren’t specifically geared toward journalists, I thought I’d share the effective tweet-crafting practices I learned during my Twitter boot camp, conventions I’ve picked up along the way and #TheTips I’ve shared with colleagues in the newsroom as they joined Twitter.
- Use your byline or a form of it as your Twitter handle. Each tweet is an opportunity for connecting with your audience. If they can’t connect your handle with your byline when you share worthwhile information, you’ve missed the opportunity to build relationships and become part of a community.
- Select a headshot, whether a candid or a studio photo, as your avatar. When your tweet shows up in other’s Twitter feeds, you want them to feel like you’re having a conversation, like you’re looking them in the eye and they can trust you.
- List your location and link to your blog, portfolio or LinkedIn account. Twitter is about connecting; provide opportunities for others to connect with you locally and online.
- Maximize your bio profile content to communicate your brand. Avoid generalizations and obscure references and instead list the qualities of your brand (your current position, unique experience and/or professional aspirations) that set you apart from other journalists and compel others to follow you.
- Write concisely. Use your 140-character limit to tighten up your writing. Use fewer than 140 to allow for easy retweeting.
- Avoid serial tweets. If you need more than three tweets to make a point, write a blog post instead. Series of tweets are difficult to RT; blog posts aren’t.
- Know the keywords related to your beat. Use Google Trends to compare terms and find those most frequently used to increase your tweet’s exposure beyond your followers.
- Use hashtags. They flag your tweet when the subject of your tweet isn’t part of your message.
- Learn the shorthand. Use RT when you retweet a message in its entirety; use MT if you’ve modified its content to the point of altering its message. If you create your own message based on information you learned in someone else’s tweet, credit them at the end with a HT (hat tip.)
- Monitor your Twitter page as a snapshot of your brand. When you follow others, they in turn will make a split-second decision of whether to follow you, based largely on your bio and most-recent tweets.
- Engage your audience. Ask questions and respond to @mentions. Share links relevant to your beat and join conversations that are already happening.
- Always attribute tweets to the original source. It’s bad form to hijack shortened links posted by others and present them as you own.
- Avoid the #humblebrag. Presenting self-congratulatory news in a self-deprecating way looks desperate. Most people will see through it and some may question your sincerity.
- Don’t protect your tweets. If you’re there to engage your audience (why else be here?), don’t protect your tweets and prohibit interaction with the public.
- Take private conversations offline. Twitter is about sharing information at least some of your followers will find valuable. If no one else gets it, send DMs instead.
- Play nice. When engaging in a discussion on Twitter, be a good listener and be professional. No one likes a bully, and any tweet can be captured in a screen grab.
Twitter bios and LinkedIn summaries as journalists’ personal brand statements
Could you state your value as a journalist in 30 seconds? What about in three paragraphs, or in 160 characters?
How readily could you give an elevator pitch about yourself?
Most journalists have heard the term “elevator pitch” used to describe a quick, concise statement that presents a story idea. They understand the importance of spending time crafting a compelling yet brief speech about a story’s unique angle and how it differs from other treatments of the same topic. In fact, pitching is part of journalism; every day in newsrooms across the country, reporters present persuasive, strategic arguments to build credibility with sources, gain access to information and get buy-in from their editors. Yet I imagine many of these same journalists would be very uncomfortable with the task of creating a personal pitch, or brand statement, to define what makes them unique, credible and valuable as journalists – and even more reluctant to publish it as such.
The truth is anyone who has filled in the bio section on a Twitter account or a summary statement on LinkedIn has written a pitch to the public. These brief blocks of information play a significant role in the decision to “Follow” or “Accept”, and a poorly written one for many is a dealbreaker. I’m always surprised to see when journalists forgo these opportunities to establish credibility and trust and instead leave them blank.
Despite all the anti-marketing, anti-PR angst from journalists concerned about personal branding efforts compromising their integrity, the reality is that just like anyone who has ever applied for a job, journalists need to be able to readily and clearly state why others should care about what we have to say. ”I like telling stories” and “I find people interesting” aren’t unique statements; they describe 99% of journalists. The purpose of having a well-defined brand statement is to express the unique qualities that distinguish you from other journalists. So you get the sources. And the information. And the story.
In my case, saying I have a master’s degree in multimedia journalism and specialize in social media doesn’t make me particularly unusual among journalists. But including that I got that degree while in my 40s, after studying PR as an undergrad, having a career in advertising and living in several of the top 10 U.S. cities, and while blogging about personal branding for journalists, hopefully reveals a depth to my life experience as well as credibility to my focusing on social media. It’s true that I, like most journalists, am curious and enjoy storytelling, but my online profile statements go further by describing how my curiosity aids my journalism (by seeking ways to help reporters find stories) and why I’m qualified and credible enough to use social media to tell a particular story (through my blog, PR background and job experience.)
I spoke to a group of business journalism students who were given the task of creating personal brand statements. Many described themselves with words such as “hardworking”, “ambitious”, “curious” and “creative.” Although these are admirable qualities, the frequency of their use among the classmates made it clear they weren’t unique or exclusive. The key to a compelling journalist’s brand statement is to present relevant qualities and specific experience that as a package would persuade others to trust you to tell their stories.
The blog Brazen Careerist recently featured LinkedIn’s annual list of top 10 overused buzzwords used in the U.S. in LinkedIn profiles and resumes:
1. Creative
2. Organizational
3. Effective
4. Extensive experience
5. Track record
6. Motivated
7. Innovative
8. Problem solving
9. Communication skills
10. Dynamic
These positive yet impotent adjectives and nouns don’t do anything to express what you have to offer.
LinkedIn senior manager for corporate communications and consumer PR Krista Canfield suggests using such general qualities to inspire detailed descriptions in summary statements and throughout LinkedIn profiles.
“Don’t just say you’re creative. Make sure you reference specific projects you worked on that demonstrate your creativity,” says Canfield. “Rather than saying’extensive experience’, make sure you list all your actual work experience on your profile. ‘Extensive experience’ is all in the eye of the beholder; it’s better to be specific.”
Read through your online profile bios and summary statements and ask yourself if the words you’ve used adequately and authentically tell your story. Then ask yourself if reading the same introduction on someone else’s bio would be enough to make you consider letting that person tell your story for you. If not, take a few minutes to revise your journalist personal pitch:
- Tell who you are, what you do and what makes you uniquely qualified to do it credibly.
- Work it into your Twitter bio, your LinkedIn summary and your blog’s “About” page.
- Get familiar enough with it that you could fire it off in a tweet if someone asked, “What do you do?”
If you feel you or someone you know has a strong Twitter bio, LinkedIn summary or personal brand statement, share it in the comments below.











